FUJII Shinya

写真a

Affiliation

Faculty of Environment and Information Studies (Shonan Fujisawa)

Position

Associate Professor

Related Websites

External Links

Profile 【 Display / hide

  • Associate Professor, Faculty of Environment and Information Studies, Keio University. Completed the doctoral program at the Graduate School of Human and Environmental Studies, Kyoto University. Received Ph.D. in Human and Environmental Studies from Kyoto University. After completing the term as doctoral research fellow at the University of Tokyo, Beth Israel Deaconess Medical Center and Harvard Medical School, and Sunnybrook Research Institute, and serving as Project Assistant Professor at the Graduate School of Education, University of Tokyo and Assistant Professor at Keio University, took up the present Associate Professor position from September 2019.

Message from the Faculty Member 【 Display / hide

  • When I was a student, I went to a jazz bar almost every day to play drums. I started my research because I wanted to know how expert musicians control their body movements. As I continue my research, I become more interested in how our musicality emerges through the course of development and evolution and how the brain processes rhythm and music. Fifteen years have passed since I started my research but I feel that the motor control research on musicians and the neuroscience of music are still in infancy. I am very excited to start my lab here at SFC and looking forward to enjoying ‘extremely’ unique research together with you.

Career 【 Display / hide

  • 2019.09
    -
    Present

    Keio University, Faculty of Environment and Information Studies, Associate Professor

  • 2023.10
    -
    Present

    国立研究開発法人科学技術振興機構, 戦略的創造研究推進事業(さきがけ), さきがけ研究員(兼任)

  • 2016.09
    -
    2019.09

    Keio University, Faculty of Environment and Information Studies, Assistant Professor

  • 2015.09
    -
    2016.08

    The University of Tokyo, Department of Physical and Health Education, Graduate School of Education, Project Assistant Professor

  • 2013.11
    -
    2015.09

    University of Toronto, Sunnybrook Research Institute, Canadian Partnership for Stroke Recovery (CPSR), Postdoctoral Fellow

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Academic Background 【 Display / hide

  • 2007.04
    -
    2010.03

    Kyoto University, Graduate School of Human and Environmental Studies, 共生人間学専攻 認知・行動科学講座

    Graduate School, Completed, Doctoral course

  • 2005.04
    -
    2007.03

    Kyoto University, Graduate School of Human and Environmental Studies, 共生人間学専攻 認知・行動科学講座

    Graduate School, Completed, Master's course

  • 2001.04
    -
    2005.03

    Kyoto University, Faculty of Integrated Human Studies, 自然環境学科 環境適応論講座

    University, Graduated, Other

  • 2002.04
    -
    2004.03

    AN MUSIC SCHOOL KYOTO, Department of Percussion, Master Course

    Other, Completed

Academic Degrees 【 Display / hide

  • Doctor (Human and Environmental Studies), Kyoto University, Coursework, 2010.03

    熟練ドラム奏者の最速リズム運動制御機構

  • Master (Human and Environmental Studies), Kyoto University, Coursework, 2007.03

 

Research Areas 【 Display / hide

  • Life Science / Physical education, and physical and health education

  • Informatics / Kansei informatics

  • Informatics / Perceptual information processing

  • Humanities & Social Sciences / Cognitive science

  • Life Science / Basic brain sciences

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Research Keywords 【 Display / hide

  • Drums

  • Harvard Beat Assessment Test (HBAT)

  • Harvard Beat Assessment Test (HBAT)

  • Rhythm Perception and Production

  • Rhythm Perception and Production

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Books 【 Display / hide

  • Building sustainable global collaborative networks: Recommendations from music studies and the social sciences

    Savage P. E., Jacoby N., Margulis E. H., Daikoku H., Anglada-Tort M., Castelo-Branco S. E.-S., Nweke F. E., Fujii S., Hegde S., Chuan-Peng H., Jabbour J., Lew-Williams C., Mangalagiu D., McNamara R., Müllensiefen D., Opondo P., Patel A., & Schippers H., MIT Press, 2022

  • 乳児の運動計測技術による発達理解とその未来

    新屋 裕太, 藤井 進也, 奥絢介, 渡辺はま, 多賀厳太郎, 中央法規出版, 2021.02

    Contact page: 95-126

  • ヒトの動き百話 ―スポーツの視点からリハビリテーションの視点まで―

    FUJII Shinya, Ichimura Publishing House, 2011.02

    Scope: 「変わらないために変わり続ける身体」pp. 36-37, 「ムチのようにしなる身体の動き」pp.46-47, 「世界最速ドラマーの筋活動」pp. 60-61, 「眼で聴く音楽」pp. 62-63,「身体の動きでリズムを感じる」pp. 66-67

     View Summary

    「変わらないために変わり続ける身体」「ムチのようにしなる身体の動き」「世界最速ドラマーの筋活動」「眼で聴く音楽」「身体の動きでリズムを感じる」の5話を執筆した。

  • Studies in Perception and Action IX: Fourteenth International Conference on Perception and Action

    Kudo K, Fujii S, Ohtsuki T, & Oda S, Taylor & Francis Group, 2007.07

    Scope: Motor Automaticity as an Emergent Property of a Dynamical System, pp 28-31

     View Summary

    音楽やドラム演奏において運動の自動化と演奏パフォーマンスの無意識化が生じるプロセスについて、ダイナミカルシステムの創発的特性の観点から概説した。

  • Movement Science: Practice

    FUJII Shinya, MARUZEN PUBLISHING, 2007.06

    Scope: Practice and Research of Drumming

     View Summary

    第6章「ドラムの実践と研究」を分担執筆し、ドラムの実践経験を研究活動に結びつけるプロセス、ドラム奏者の手の機能的左右差に関する研究の概説、音楽家のリズム処理に関する神経科学研究の紹介や解説を行った。

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Papers 【 Display / hide

  • Oscillations create groove: A reservoir model for learning complex drumming performances

    Kawai, Y., Fujii, S., Asada, M.

    bioRxiv  2024.07

    Research paper (scientific journal), Joint Work, Last author, Corresponding author

     View Summary

    Musical performances, particularly drumming, intricately balance rhythmic patterns and creative expression, all heavily influenced by the concept of 'groove'. This study explored how the brain learns and internalizes complex rhythms and grooves from a computational perspective. The cerebellum and basal ganglia play key roles in rhythm perception, production, and timing. We utilized an oscillation-driven reservoir computing model, which is a simplified recurrent neural network designed for timing learning, to acquire complex rhythms. The model was trained to replicate the drumming style of Jeff Porcaro by learning his hi-hat patterns. Analyses revealed that the model's outputs, including fluctuations in interbeat timings and amplitudes, were similar to the original drumming. Next, it was trained to generate multidimensional drum kit performances for various genres (funk, jazz, samba, and rock). Model outputs had timing deviation and audio features related to a sense of groove, similar to the original performances. By incorporating the oscillations of multiple frequencies into the reservoir, the model reproduced fluctuations of timing intervals (microtiming) and amplitudes, as well as audio features of each musical genre. Our results indicated that oscillation-driven reservoir computing can successfully replicate the timing and rhythmic complexity of professional drumming, suggesting that it is a common computational principle for motor timing and rhythm generation. Furthermore, this approach offers insights into the neural underpinnings of musical groove, shedding light on how the brain processes and reproduces intricate rhythmic patterns.

  • Globally, songs and instrumental melodies are slower and higher and use more stable pitches than speech: A Registered Report

    Ozaki, Y., Tierney, A., Pfordresher, P. Q., McBride, J. M., Benetos, E., Proutskova, P., Chiba, G., Liu, F., Jacoby, N., Purdy, S. C., Opondo, P., Fitch, W. T., Hegde, S., Rocamora, M., Thorne, R., Nweke, F., Sadaphal, D. P., Sadaphal, P. M., Hadavi, S., Fujii, S., … Savage, P. E.

    Science Advances (AAAS)  10 ( 20 ) eadm9797 2024.05

    Research paper (scientific journal), Joint Work, Accepted

     View Summary

    Both music and language are found in all known human societies, yet no studies have compared similarities and differences between song, speech, and instrumental music on a global scale. In this Registered Report, we analyzed two global datasets: (i) 300 annotated audio recordings representing matched sets of traditional songs, recited lyrics, conversational speech, and instrumental melodies from our 75 coauthors speaking 55 languages; and (ii) 418 previously published adult-directed song and speech recordings from 209 individuals speaking 16 languages. Of our six preregistered predictions, five were strongly supported: Relative to speech, songs use (i) higher pitch, (ii) slower temporal rate, and (iii) more stable pitches, while both songs and speech used similar (iv) pitch interval size and (v) timbral brightness. Exploratory analyses suggest that features vary along a “musi-linguistic” continuum when including instrumental melodies and recited lyrics. Our study provides strong empirical evidence of cross-cultural regularities in music and speech.

  • Drumming Performance and Underlying Muscle Activities in a Professional Rock Drummer with Lower-Limb Dystonia: A Case Study

    Kazuaki Honda, Shizuka Sata, Mizuki Komine, Satoshi Yamaguchi, SungHyek Kim, Makio Kashino, Shinya Fujii

    bioRxiv  2024.03

    Single Work, Last author, Corresponding author

     View Summary

    Task-specific focal dystonia (TSFD), characterized by the loss of fine motor control and coordination, affects drummers’ lower-limb movements, yet it remains relatively understudied, leaving a gap in understanding its effects on drumming performance and underlying muscle activities. This study explores lower limb dystonia’s impact on drumming performance and underlying muscle activity in a professional rock drummer. The drummer executed an eight-beat pattern on a drum kit, emphasizing kicking the bass drum on the initial beat and performing syncopation of the third beat. Dystonia symptoms primarily manifested in the initial beat, with fewer symptoms on syncopation of the third beat. Analysis revealed decreased bass-drum sound peak amplitude during the initial beat and increased (becoming more negative) synchronization error. Electromyographic (EMG) measurements of ten muscles in the affected right lower limb showed significant changes in the Biceps Femoris (BF), Tibialis Anterior (TA), Extensor Digitorum Longus (EDL), and Extensor Digitorum Brevis (EDB) muscles during symptom onset. Notably, we observed 1) earlier overactivation of the TA and EDL muscles during the leg lift-up motion or preparatory phase of pedaling, 2) reduced activation of the EDB muscle, and 3) increased activation of the BF muscle during the final pedaling movement when symptoms occurred. These findings suggest that lower-limb dystonia symptoms are characterized by a reduction in amplitude and an increase in synchronization error, potentially due to premature overactivation of the ankle dorsiflexor muscles.

  • Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries

    Jacoby, N., Polak, R., Grahn, J. A., Cameron, D. J., Lee, K. M., Godoy, R., Undurraga, E. A., Huanca, T., Thalwitzer, T., Doumbia, N., Goldberg, D., Margulis, E. H., Wong, P. C. M., Jure, L., Rocamora, M., Fujii, S., Savage, P. E., Ajimi, J., Konno, R., … McDermott, J. H.

    Nature Human Behaviour (Springer Nature)   2024.03

    Research paper (scientific journal), Joint Work, Accepted

     View Summary

    Music is present in every known society but varies from place to place. What, if anything, is universal to music cognition? We measured a signature of mental representations of rhythm in 39 participant groups in 15 countries, spanning urban societies and Indigenous populations. Listeners reproduced random ‘seed’ rhythms; their reproductions were fed back as the stimulus (as in the game of ‘telephone’), such that their biases (the prior) could be estimated from the distribution of reproductions. Every tested group showed a sparse prior with peaks at integer-ratio rhythms. However, the importance of different integer ratios varied across groups, often reflecting local musical practices. Our results suggest a common feature of music cognition: discrete rhythm ‘categories’ at small-integer ratios. These discrete representations plausibly stabilize musical systems in the face of cultural transmission but interact with culture-specific traditions to yield the diversity that is evident when mental representations are probed across many cultures.

  • Short-Term Effect of Auditory Stimulation on Neural Activities: A Scoping Review of Longitudinal Electroencephalography and Magnetoencephalography Studies

    Kobayashi, K., Shiba, Y., Honda, S., Nakajima, S., Fujii, S., Mimura, M., Noda, Y.

    Brain Sciences 14 ( 2 )  2024.01

    Research paper (scientific journal), Joint Work, Accepted

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Papers, etc., Registered in KOARA 【 Display / hide

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Reviews, Commentaries, etc. 【 Display / hide

  • 音楽の起源と社会性の観点からみたパフォーマーと観客の同期

    本田 一暁,藤井 進也

    体育の科学 74 ( 6 ) 368 - 374 2024.06

    Article, review, commentary, editorial, etc. (scientific journal), Joint Work, Last author

  • マイクロタイミングに着目したグルーヴ研究の展望

    惠谷隆英, 三浦哲都, 河瀬諭, 工藤和俊, 藤井進也

    心理学評論 66 ( 1 ) 37 - 49 2023.09

    Article, review, commentary, editorial, etc. (scientific journal), Joint Work, Last author

  • 音楽神経科学の研究動向:音楽家の脳から音楽の予測符号化まで

    藤井 進也

    音楽知覚認知研究 28 ( 2 ) 101 - 122 2023

    Article, review, commentary, editorial, etc. (scientific journal), Single Work, Lead author, Last author, Corresponding author

  • 短期音刺激に対する神経処理と誘導される神経可塑性のシステマティックレビュー

    小林 香音, 司馬 康, 本多 栞, 中島 振一郎, 藤井 進也, 三村 將, 野田 賀大

    臨床神経生理学 50 ( 5 ) 435 - 435 2022.10

    Research paper, summary (national, other academic conference), Joint Work

  • 治療抵抗性統合失調症における40Hz聴性刺激誘発脳波の検討

    尾久 守侑, 松下 佳鈴, 本多 栞, 和田 真孝, 田村 俊介, 竹ノ内 一雅, 戸張 維, 楠戸 恵介, 加藤 英生, 小泉 輝樹, 新井 脩泰, 是木 明宏, 松井 三枝, 内田 裕之, 藤井 進也, 女屋 光基, 平野 羊嗣, 三村 將, 中島 振一郎, 野田 賀大

    臨床神経生理学 50 ( 5 ) 389 - 389 2022.10

    Research paper, summary (national, other academic conference), Joint Work

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Presentations 【 Display / hide

  • Musical reward and anhedonia in mood disorders

    Homma, S., Noda, Y., Kondoh, S., Etani, T., Honda, S., Moriyama, S., Wada, M., Taniguchi, K., Tobari, Y., Mimura, M., Uchida, H., Nakajima, S., Fujii, S.

    The Society for Music Perception and Cognition (SMPC) 2024 (Banff Centre for Arts and Creativity, Alberta, CA) , 

    2024.07

    Oral presentation (general)

  • Limb movements and vocalizations to music during crying in infants at three- to four-month-old age

    Ueda, K., Shinya, Y., Kondoh, S., Gima, H., Ueno, T., Watanabe, H., Taga, G., Fujii, S.

    The International Congress of Infant Studies 2024 (ICIS 2024) (Glasgow) , 

    2024.07

    Poster presentation

  • Music-evoked nostalgia without prior listening experience: The role of knowledge and autobiographical memories

    Sakakibara Y., Mori M., & Fujii S.

    Association for the Scientific Study of Consciousness (ASSC27) (Tokyo) , 

    2024.07

    Poster presentation

  • Examining the effects of a closed-loop nostalgia brain-music interface for well-being and memory retrieval in both young and elderly people

    Sakakibara, Y., Ibaraki, T., Kusutomi, T., Etani, T., Shimada, S., Naruse, Y., Imamura, Y., Fujii, S.

    The Neurosciences and Music – VIII: Wiring, re-wiring, and well-being, 

    2024.06

    Poster presentation

  • Effects of recalling autobiographical music performance memories on performance self-evaluation and heart rate variability

    Watanabe, A., Samma, T., Kondoh, S., Fujii, S.

    The Neurosciences and Music – VIII: Wiring, re-wiring, and well-being, 

    2024.06

    Poster presentation

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Research Projects of Competitive Funds, etc. 【 Display / hide

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Works 【 Display / hide

  • 慶應義塾大学SFC 環境情報学 2024 春学期 藤井進也研究会 x-Music Lab Audio Visual Performance

    Rick Shinmi, Sogen Handa, Shinya Fujii

    慶應義塾大学SFC, 

    2024.04

    Artistic work, Joint

  • MUTEK.JP 2023 VIE Presents: “Neuro Music - Dive Into Your Brain"

    Shinya Fujii, Akira Wakita

    MUTEK.JP Pro Conference 2023, 

    2023.12

    Artistic work, Joint

  • x-Music "Yadorigi(s)"

    斎藤理貴, 新美陸人, 藤家大希, 保阪明奈, 佐野風史, 村松春来, 田中堅大, 小林良穂, 魚住勇太, 藤井進也

    象の鼻テラス/パーク, 横浜, 神奈川, 

    2023.12

    Artistic work

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    公園空間に仮想の影絵の「⽊」を宿らせます。⼈の流れ、⼈々の会話、気温や⾵。ナイトライフの「賑わい」や環境によって会期中、形を変え、⾳と光を⽣み出します。⽊は⽣命のメタファーとしてプログラムされ、ナイトライフの環境の⼀部となります。⽊は⼈々の様⼦によって変化します。⼀⽅で⼈々も⽊に集ったりと⾏動が変化します。互いの影響の中で⽊と⼈々の関係が移ろい、⾳と光も変化していきます。

  • x-Music “Re:imagine”

    吉田慧悟, ⻑瀨眞承, 菊地拓馬, 小向諒, 大石理功, 野中映秀, 江村泰真, 丸山翔哉, 田中堅大, 小林良穂, 魚住勇太, 藤井進也

    象の鼻テラス/パーク, 横浜, 神奈川, 

    2023.12

    Artistic work

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    本作品は音の瞬時性と儚さを追求したサウンドアート作品です。メタバースからのリアル 会場への介入が、音への影響として現れ、これが象の鼻テラスの音の出現と消失の再解釈を生み出します。仮想と現実の相互影響により、生命のように変わるサウンドスケープが展開され、象の鼻テラスの深いアイデンティティに触れることができます。この本作は、瞬間的な音の魅力とその消失、そして生命の脈動を体感させる作品です。

  • x-Music “Sonic Rhopalia”

    平良建史朗, 半田壮玄, 柴田莉紗子, アナンニミシャ, 星野良太朗, 牧宇晏, 松田蓮, 田中堅大, 小林良穂, 魚住勇太, 藤井進也

    象の鼻テラス/パーク, 横浜, 神奈川, 

    2023.12

    Artistic work

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    クラゲは最もシンプルで、完結した環世界を持った⽣命体です。彼らの美しい⽣動は、洗練された階層構造のニューラルネットワークによって⽣まれています。本作品は、クラゲの「振る舞い」をリアルタイム⾳楽⽣成システムとして模倣し、⾳響/⾳像からクラゲが持つ「⽣」への探求を⾏います。私たちがクラゲに対して感じる⽣命感の正体は⼀体何でしょうか。

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Awards 【 Display / hide

  • Best Poster Award

    Sakakibara, Y., Ibaraki, T., Kusutomi, T., Etani, T., Shimada, S., Naruse, Y., Imamura, Y., Fujii, S., 2024.06, The Neurosciences and Music VIII, Examining the effects of a closed-loop nostalgia brain-music interface for well-being and memory retrieval in both young and elderly people

    Type of Award: Award from international society, conference, symposium, etc.,  Country: Finland

  • Sempre Award

    Etani T., Takano M., Wada M., Honda S., Taniguchi K., Tobari Y., Mimura M., Nakajima S., Noda Y., & Fujii S., 2023.08, Society for Education, Music and Psychology Research (Sempre), The relationship between the experience in learning instruments, cognitive performance, and TMS-elicited EEG from the dorsolateral prefrontal cortex

    Type of Award: Award from international society, conference, symposium, etc.

  • Sempre Award

    Watanabe A., Samma T., & Fujii S. , 2023.08, Society for Education, Music and Psychology Research (Sempre), Effects of recalling positive and negative music performance memories on subjective performance achievement and heart-rate variability: A pilot study

    Type of Award: Award from international society, conference, symposium, etc.

  • Sempre Award

    Honda S., Noda S., Tobari Y., Matsushita K., Wada M., Tarumi R., Ogyu K., Mimura M., Nakajima S., & Fujii S., 2023.08, Society for Education, Music and Psychology Research (Sempre), Music reward in patients with psychiatric disorders

    Type of Award: Award from international society, conference, symposium, etc.

  • 日本赤ちゃん学会第23回学術集会優秀発表賞

    新屋裕太, 松縄怜奈, 金谷奈央, 儀間裕貴, 渡辺はま, 多賀厳太郎, 藤井進也, 2023.08, 日本赤ちゃん学会, 生後3ヶ月の日本乳児の泣き声メロディー分析ーフランスおよびドイツ新生児との比較研究ー

    Type of Award: Award from Japanese society, conference, symposium, etc.

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Courses Taught 【 Display / hide

  • SEMINAR B

    2024

  • PHYSICAL EDUCATION 2 TO 5

    2024

  • MUSIC AND THE BRAIN

    2024

  • MASTER SEMINAR

    2024

  • INDEPENDENT RESEARCH

    2024

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Courses Previously Taught 【 Display / hide

  • 音楽と脳

    Keio University

    2018.04
    -
    2019.03

    Spring Semester, Within own faculty

  • 音楽と心・身体 【学期後半】

    Keio University

    2018.04
    -
    2019.03

    Autumn Semester, Within own faculty

  • 修士研究会

    Keio University

    2018.04
    -
    2019.03

    Spring Semester

  • 卒業プロジェクト2

    Keio University

    2018.04
    -
    2019.03

    Spring Semester, Within own faculty

  • 卒業プロジェクト1

    Keio University

    2018.04
    -
    2019.03

    Spring Semester, Within own faculty

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Educational Activities and Special Notes 【 Display / hide

  • 「環境情報学」ゲスト講義

    2020.05

    , Lecture at Education Method and Practice

  • GIGAフレッシュマンセッション

    2019.09

    , Special Affairs

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    慶應義塾大学湘南藤沢キャンパスの新入GIGA生のファシリテーターを担当。新入生各人がSFCで取り組みたいことをグループ内で順に発表し、その発表についてコメントやアドバイスをおこなった。

  • さだまさし慶應義塾大学特別招聘教授特別授業「うたをつくる」開催

    2019.08

    , Special Affairs

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    さだまさし特別招聘教授、北山陽一特別招聘講師、村井純教授、サベジパトリック特任准教授、徳井直生准教授と共同で、特別授業「うたをつくる」を開講した。

  • Musician and Scientist

    2019.05

    , Lecture at Education Method and Practice

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    脇田 玲 教授の「芸術と科学」の授業にて、「音楽家と科学者」と題し、音楽家と科学者の表現者としての共通点・接点について特別講演をおこなった。

  • 「環境情報学」Special Live Performance: Audio-Visual Live Drumming

    2019.04

    , Device of Educational Contents

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    2019年4月11日に開催した「環境情報学」の第一回授業(慶應義塾大学湘南藤沢キャンパスθ館開催)にて、ドラムの生ライブ演奏とメディアアートを融合した Audio-Visual Live Drumming Performance を披露した。

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Social Activities 【 Display / hide

  • Creative Cooking Battle Youth 審査員

    Creative Cooking Battle, Creative Cooking Battle Youth (Cookpad 本社)

    2019.06

     View Summary

    Cookpad 本社にて開催されたクリエイティブクッキングバトル Youth 関東予選6の審査員を務めた。

  • ファブ3Dコンテスト2018 カテゴリー3「FAB甲子園:Sounds FABulous!」審査委員長

    2018.07
    -
    2018.11

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    ファブ3Dコンテスト2018 カテゴリー3「FAB甲子園:Sounds FABulous!」審査委員長を務め、応募作品の審査と表彰を行った。

  • ファブ3Dコンテスト2017 カテゴリー3「FAB甲子園」審査委員長

    2017.07
    -
    2017.11

     View Summary

    ファブ3Dコンテスト2017 カテゴリー3「FAB甲子園」の審査委員長を務め、応募作品の審査と表彰を行った。

Memberships in Academic Societies 【 Display / hide

  • Society for Music Perception and Cognition (SMPC), 

    2013.08
    -
    Present
  • Society for Neuroscience (SfN), 

    2010.04
    -
    2010.12
  • Organization for Human Brain Mapping (OHBM), 

    2011.06
    -
    2013.03
  • Cognitive Neuroscience Society (CNS), 

    2014.10
    -
    2015.10
  • Japan Society of Physical Education, Health and Sport Sciences, 

    2005.04
    -
    Present

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Committee Experiences 【 Display / hide

  • 2016
    -
    2018

    Editorial Board (Consulting Editor), Musicae Scientiae

  • 2012.06
    -
    Present

    Editorial Board (Review Editor), Frontiers in Auditory Cognitive Neuroscience